Jaya Jones treasure hu...

That time I was trapped in the Louvre during an art heist

By now, you’ve seen the news that on October 19, 2025, thieves disguised as a construction crew stole several pieces of the French Crown Jewels.

So today, I thought I’d tell you about the time I was trapped in the Louvre during an art heist. Yes, this a true story.

This week’s heist was the first time the Louvre museum in Paris was robbed since 1998. Back in 1998, a valuable painting by French artist Jean-Baptiste-Camille Corot was stolen. Here's the thing: I was there.

I was 22 years old and backpacking through Europe. May 3, 1998, was one of the Louvre’s free Sundays. The museum was ridiculously crowded. That's how the thieves got away with it. They pretended to be museum staff. They blocked off a small area and made off with the landscape painting.

Headline from a French newspaper from 1998: "Un Corot disparait du Louvre en plein jour" with a photograph of the stolen Corot landscape painting.

French newspaper clipping about the 1998 heist.

Back on that fateful day in 1998, I didn't know what was happening. After it was discovered that the Corot painting was missing from its frame, it was chaos at the museum. Were all ushered into the main hall, underneath the giant pyramid. The press reported that all visitors were searched. But that wasn't true. In the chaos, I and many other museum visitors were never searched.

So many of the visitors were tourists who were going to miss their flights, so average people were showing signs of distress. Pretty soon, the authorities were going to have a riot on their hands. With how many thousands of people were there that day, there was no way the authorities could search everyone.

That stuck with me, and I wondered… Could the thieves have been in the crowd with me—perhaps even pictured in my photographs?

Black and white photograph: A closeup of crowd at the Louvre Museum in Paris during the May 3, 1998 heist of a Corot painting, gathered in the main hall under the pyramid. Photograph by Gigi Pandian.

The crowd at the Louvre Museum in Paris during the May 3, 1998 heist of a Corot painting, gathered in the main hall under the pyramid. Photograph by Gigi Pandian.

Black and white photograph: A closeup of crowd at the Louvre Museum in Paris during the May 3, 1998 heist of a Corot painting, gathered in the main hall under the pyramid. Photograph by Gigi Pandian.

Closeup of crowd at the Louvre Museum in Paris during the May 3, 1998 heist of a Corot painting, gathered in the main hall under the pyramid. Photograph by Gigi Pandian.

At the time of that art theft, I didn't yet know I'd become a professional writer. But I'd already been inspired by movies like The Goonies and Romancing the Stone, and globe-trotting mystery adventure novels by authors like Elizabeth Peters and Aaron Elkins, so I was fascinated by being trapped in a situation that felt like it was straight out of those movies and books I loved.

When I became a mystery novelist several years later, I knew I'd write an art heist at the Louvre at some point. More than a decade later, I did it. 

In my Jaya Jones Treasure Hunt Mysteries, historian Jaya Jones solves present-day crimes linked to treasures from India’s colonial history. In Quicksand, she finds herself on the wrong side of an art heist at the Louvre, and she must travel across France, from Paris to Mont Saint-Michel, to both redeem herself and find a long-lost treasure.

I write cozy mysteries that have happy endings, so it’s not a spoiler to say that Quicksand ends with a mystery solved and a treasure found.  

We don’t yet know how this 2025 theft will play out, but as for that 1998 heist? Twenty-seven years later, the painting has never been recovered.

My Successful Query Letter

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This year I'm participating in Pitch Wars, an incredible mentoring program for aspiring authors—which you can learn more about here. I'm serving as a Pitch Wars 2018 mentor, and one of the things the team thought would be helpful was for us to share our successful query letters with you. Here's mine!

Dear [agent],

It was a pleasure meeting you at the [X Writers Conference]. We spoke after your mystery writing panel. My 85,000-word mystery novel ARTIFACT is currently a finalist in the St. Martin's/Malice Domestic Best First Traditional Mystery competition, and was awarded a Malice Domestic Grant. [X editor] from St. Martin's made me her "Editor's Choice" pick at the [X Conference], and is interested in reading ARTIFACT even if it is not selected as the winner of the St. Martin's competition. 

Jaya Jones was born in India to an Indian mother and American father. Now a historian in San Francisco, she receives a mysterious package containing a jewel-encrusted artifact, sent by her ex-lover the same day he died in a supposed accident. Jaya soon discovers that the secrets of a lost Indian treasure may be hidden in a Scottish legend from the days of the British Raj. And she's not the only one on the trail.Jaya's quest to catch a killer and find the treasure takes her from San Francisco to London to the Highlands of Scotland. Helping her decipher the few cryptic clues she possesses are a devastatingly handsome art historian with something to hide, and a charming archaeologist running for his life. Evading a shadowy stalker, Jaya follows hints from the hastily scrawled note of her dead lover to a remote archaeological dig along the windswept cliffs of Scotland. When a member of the crew is murdered, she must figure out which of the scholars vying for her affections might be the love of her life—and which one is a killer.

The first in a proposed series, ARTIFACT introduces a new headstrong heroine for fans of Elizabeth Peters' adventure stories, but with a modern twist. Jaya is an Indiana Jones for the 21st century.

A bit about me: I'm the child of two cultural anthropologists, one from the southern tip of India, the other from Albuquerque, New Mexico. I spent much of my childhood traveling, and I have lived in all the countries where ARTIFACT takes place. I'm on the board of Sisters in Crime's Northern California Chapter, and am a member of Mystery Writers of America and Romance Writers of America.

This is the letter that led to multiple agents being interested in the book, and that helped me sign with the amazing Jill Marsal of the Marsal Lyon Literary Agency, who I've been with ever since.If you're querying agents, good luck!

Japanese Gargoyles (Onigawara)

As part of my research for the fifth Jaya Jones novel, I visited Japan. I'll share much more about that experience when the book comes out next year, but in the meantime here are a few of my favorite photos from the trip, beginning with onigawara — Japanese gargoyles!

Oni means demon, and onigawara means demon tile. These carvings adorn Buddhist temples and other buildings, much like European gargoyles adorn both Christian churches and many other buildings. 

Sanjusangendo Temple, Kyoto

Sanjusangendo Temple, Kyoto

Kodai-ji Temple, Kyoto

Kodai-ji Temple, Kyoto

Kiyomizu-dera Temple, Kyoto

Kiyomizu-dera Temple, Kyoto

Dragon head at Kodai-ji Temple, Kyoto

Dragon head at Kodai-ji Temple, Kyoto

And these aren't onigawara, but this was my favorite temple I visited: Otagi Nenbutsu-ji on the outskirts of Kyoto, past the famous bamboo forest. More than a thousand statues were carved by hundreds of people, many of whom were amateurs, but the figures they created show such character and humanity.

For some reason this magical place is off the beaten path, so we had it all to ourselves for almost half an hour. If you find yourself in Kyoto, I recommend the extra effort to get here.

And I'll end with a couple more of my favorite photos of Kyoto. The Jaya Jones novel set in Japan, The Ninjas Illusion, comes out in the fall of 2017.

Dragons at Kiyomizu-dera Temple

Dragons at Kiyomizu-dera Temple

Autumn in Kyoto

Autumn in Kyoto

Research for Jaya Jones Book 4 in Bomarzo, Italy

I recently returned from Europe, where I made three detours to work on my next two novels.First, the Renaissance "Park of Monsters" in Bomarzo, Italy. I got plenty of history and inspiration wandering through the labyrinthine paths of the macabre garden. I'm still in the middle of my research, so I'll let the photos speak for themselves. Oh yes, Jaya is going to have a grand adventure here...

Ex-pat mystery novelist Linda Lappin generously invited me to tea at her home, near Bomarzo -- which happened to be inside the walls of a Medieval Tuscan village! Linda is the author of the novel Signatures in Stone, set at Bomarzo. That's how we happened to meet online. I found her book when I was reading up on Bomarzo, and I greatly enjoyed it so I posted my review on Goodreads. Linda noticed it, and when she learned I was working on my own novel set at Bomarzo, she sent me links to resources, and then invited me to her home on my trip Italy.

In addition to Linda’s marvelous hospitality, I love the fact that GPS couldn't give directions inside the old car-less walled city, so she had to write out detailed instructions so I could find the place.

The last detour was Paris. I wanted to fact check a few things for the third Accidental Alchemist novel I'm working on (yes, I know the Internet exists, but this was more fun). I wasn't seeking out Rue Nicholas Flamel for my research, but I stumbled upon it on my last day in Paris. Time to get back to work on these books now.